Michael Cioni: The State of the Digital Union

Apr 09, 2019

25:24

Kitsplit CEO Lisbeth Kaufman on The Power of Community

Apr 09, 2019

11:03

'The River & The Wall': DaVinci Resolve, Dolby Vision & Dolby Atmos

Apr 09, 2019

18:53

Sam Mestman: Filmmaking & Learning from Failure

Apr 09, 2019

11:00

Editing the Oscar Winning Film 'Skin' in Final Cut Pro X

Apr 09, 2019

20:45

Adrienne Klotz-Floyd: The Color You're Missing

Apr 09, 2019

12:34

Atlanta: Editing & Sound Design in Adobe Premiere Pro CC

Apr 09, 2019

14:16

Business of Editing

Jul 26, 2018

33:53

Jeff Greenberg: DaVinci Resolve for Editors

Jun 20, 2018

14:19

Sven Pape: These 6 Things Will Make Your Editing Better

Jun 19, 2018

14:26

Cirina Catania: Surviving Creative Landmines in Filmmaking

Jun 12, 2018

13:07

Michael Kammes: Remote Collaboration for Video Editing

Jun 11, 2018

15:36

Rachel Bastarache Bogan: Telling a Story Through Video Editing

Jun 08, 2018

14:47

Matt Celia: 15 Tips for Making 360 VR Video

Jun 05, 2018

15:11

Mixing Light: DaVinci Resolve Collaboration

Jun 05, 2018

16:33

Tony Gallardo: Node Stacking in Fusion

Jun 01, 2018

18:18

Valentina Vee: Flexible Workflows in Premiere Pro CC

May 29, 2018

14:34

Brad Olsen: Making A Final Cut Pro X Documentary

May 29, 2018

13:28

Vimeo & FCPX: Host, Collaborate & Distribute High Quality Video

May 23, 2018

6:56

Alexis Van Hurkman: New Features in DaVinci Resolve 15

May 23, 2018

19:45

Duncan Shepherd: 21 Tips for Editing 360 Video

May 23, 2018

13:38

Jeff Greenberg: Top 5 New Features in Adobe Premiere Pro CC

May 23, 2018

12:09

Chris Fenwick: After Effects in an FCPX Workflow

May 23, 2018

14:49

Ronny Courtens: Why Final Cut Pro X is HUGE in Europe

May 23, 2018

18:40

Atomos: ProRes RAW

May 23, 2018

27:00

LumaForge: NAB 2018 Update

May 23, 2018

16:48

Josh Beal: Reconsidering Final Cut Pro X in Hollywood

May 23, 2018

18:01

Keenan J. Mock: Media Archivist vs. Entropy

May 23, 2018

11:49

Krysta Masciale: Why Your Brand Will Reinvent The Industry

May 23, 2018

14:39

Lumberjack Builder: Turn Paper Cuts into FCPX Timelines

May 23, 2018

20:31

Marc Bach: The Art of HDR

May 23, 2018

13:40

Michael Cioni: The Rhythm of Resolution

May 23, 2018

40:50

The State Of The NLE - 2018

May 23, 2018

35:29

Steve Hullfish: Tips from the World's Best Editors

May 23, 2018

15:31

Patrick Southern: FCPX Subtitles with Subvert

Jul 24, 2017

7:34

Alex Lindsay: Live Streaming in a Nutshell

Jul 20, 2017

18:41

State of the NLE: The Best Editing Software

Jul 13, 2017

41:52

Marquis Broadcast: Worx4 X

Jul 11, 2017

4:28

Sam Bogoch: axle Video

Jul 11, 2017

20:31

Tony Gallardo: Resolve as VFX Hub

Jun 20, 2017

10:23

Matt Geller: KeyFlow Pro Asset Management for Small Workgroups

Jun 15, 2017

16:38

Pierre Chevalier: Softron Replay & Movie Recorder

Jun 13, 2017

13:29

Gary Adcock: Thunderbolt in Production & Post

Jun 08, 2017

22:41

Denver Riddle: LUTs - No Longer a "Black Box"

Jun 07, 2017

10:03

Robert Krüger: Introducing Kyno - A Guided Tour

Jun 01, 2017

15:16

iOgrapher - Create Better Video With Your Mobile Device

May 31, 2017

13:51

Steve Martin: Using FCPX to Create a Weekly Web Series

May 29, 2017

18:17

Sharestation & Mellanox: Enterprise Shared Storage & Networking

May 29, 2017

16:40

Emery Wells: Frame.io 2

May 29, 2017

21:17

Tony Gallardo: Fusion for After Effects Artists

May 24, 2017

18:04

Sven Pape & Dustin Hughes: Flesh & Blood

May 21, 2017

16:36

Jeff Greenberg: VR Starter Kit

May 21, 2017

10:59

Michael Kammes: 5 Things LIVE - Post Myths

May 17, 2017

21:22

Kelsey Brannan: Premiere Pro Essential Graphics Panel

May 10, 2017

13:42

Sam Mestman: LumaForge Products

May 09, 2017

29:28

Alexis Van Hurkman: What is New in DaVinci Resolve 14?

May 08, 2017

20:30

Michael Cioni: Do I have Stockholm Syndrome with Apple

May 03, 2017

40:48